The writers that show up to a critique group will be at different mile markers on the race to publication. Some will be ahead of the pack, some will be sprinting hard to break loose, and others will look like they wandered in by accident. Not all are ready to hear the starter pistol, so give each a different level of critique.
Setting the Pace
The published author, theoretically, wants to hear every single comment about her work. The characters that need better definition. The plot that needs thickening. The prose that goes clunk on the ear.
Anyone who has been through the editorial process ought to be inured to critique. Still, we’re human. We can make a point without jabbing the writer with it. And some published authors may be less receptive to comments from the un-pubbed masses. Giving useful critique is an art of its own. But any opinion presented respectfully should be appreciated.
Running with the Pack
The author-in-progress, if he’s serious, should want the same level of critique as the published author, maybe more so. He won’t have access to a publisher’s editorial process, but he will be subjected to it. So he needs a warts-and-all opinion to help him break out.
Handling the feedback is an important process for the author-in-progress. Like freshman biology, critique acts as a winnowing process. Some writers get frustrated and quit. Some dither with the conflicting critique and lose their way. While others glean from the offering only that which enhances their work, strengthens their theme, and articulates their unique voice.
Baby’s First Step
Newbie writers primarily don’t want to be laughed off the track. They come in with a single-spaced sheet of their soul wanting direction, encouragement, and kindness. We need to give them a clue what works in their writing, what doesn’t, and invite them to return with their revisions.
They aren’t ready to hear the bare-bottom truth. They can handle a couple of major issues to work on. That’s it. Maybe suggest reducing back story and employing the ever popular show-don’t-tell. It usually applies. But be gentle. They’re fragile. Publishing has enough hurdles without making more. Staying in the right lane is enough work for now.
Do you have a critique group that works well? How do you help writers at different stages?
p.s. Photo By wwarby